konrad magikonrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings. Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports. Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher. In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910). From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921). Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924). | |||
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Obersdorfi maastik Pintura Identificación:: 73909 Vea nuestra galería en Suecia |
Obersdorfi maastik Õli lõuendil. 41,2 x 26,2 cm cyf Õli_lõuendil._41,2_x_26,2_cm cyf |
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Tulpide valjak Pintura Identificación:: 73910 Vea nuestra galería en Suecia |
Tulpide valjak ca 1910 Õli, lõuend. 43,5 x 61,5. cyf ca_1910_Õli,_lõuend._43,5_x_61,5. cyf |
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Naise portree Pintura Identificación:: 73911 Vea nuestra galería en Suecia |
Naise portree 1918-1920, õli lõuendil, 68 x 55 cyf 1918-1920,_õli_lõuendil,_68_x_55 cyf |
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Rooma Pintura Identificación:: 73913 Vea nuestra galería en Suecia |
Rooma 1922-1923 Õli, lõuend 84,7 x 90,5 Date 1922-1923 cyf 1922-1923_Õli,_lõuend_84,7_x_90,5_ Date_1922-1923 _ cyf |
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Landscape of Viljandi Pintura Identificación:: 73982 Vea nuestra galería en Suecia |
Landscape of Viljandi Oil on cardboard. 36.5 x 44.5 cm. Eesti: "Viljandi maastik". Õli, papptahvel. 36,5x44,5 cm. 1915-16.a. Date 1915-1916 cyf Oil_on_cardboard._36.5_x_44.5_cm. Eesti:_"Viljandi_maastik"._Õli,_papptahvel._36,5x44,5_cm._1915-16.a._ Date_1915-1916 _ cyf |
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| konrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings. Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports. Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher. In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910). From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921). Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924). | ||||||||||
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